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“And we not only did it, but survived that, the shoot and the pandemic. “We were already together, and we were already looking for something because we wanted, I guess, to venture into a creative endeavor together,” said Del Toro. The two of them went public as a couple when they appeared together at the Academy Awards in 2018 when Del Toro was there for “The Shape of Water.” They had been looking to find a project to work on together when they landed on “Nightmare Alley.” Morgan had previously been married to the Canadian filmmaker Guy Maddin. The filmmaker had ended his marriage of more than 30 years to Lorenza Newton in September of 2017, around when “The Shape of Water” was being released. Now they will trust me.’”ĭel Toro and Morgan were married earlier in 2021.

#Lorenza newton movie

‘Hey, I made a movie you have not seen, but I promise you I’ll take care of this for you.’ I remember one of my first reactions was, ‘Ah, “Shape of Water” is from Fox. It was very disingenuous for me or Ron to think that they were going to give us the rights to a library title just to do. “I had just done ‘Cronos,’ which was not even out. Years later, thanks to the success of “The Shape of Water,” doors opened. (Perlman indeed appears among the carnival workers in Del Toro’s “Nightmare Alley.”) Then essentially an unknown, Del Toro didn’t get very far in acquiring the rights. It was shortly after making his first film, 1993’s “Cronos,” that Del Toro initially tried to pursue a remake along with actor and frequent collaborator Ron Perlman. Guillermo Del Toro on ‘Nightmare Alley’ To abandon the whimsy and trying to preserve the beauty was a new exercise for me. And I think you can do a different take on the material.’ We ended up doing what I think is a character study.” “I was certain there could be another version because after I read the book and then I saw the movie and I thought, ‘OK, this is definitely oriented to the genre. (The 1947 film is currently streaming on the Criterion Channel and is now readily available on disc.) For a long while, the book was more easily accessible than the movie, which became something of a cult object, in part due to its relative unavailability. Whether through tarot readings, sideshow mentalism or psychoanalysis, “Nightmare Alley” frequently reaches toward the unknowable.ĭel Toro encountered the book before seeing the original movie, while Morgan recalls seeing the movie and then reading the book at about the same time.

Set in the late 1930s to early 1940s, Del Toro’s version shifts hard from the dusty, ramshackle world of the carnies, honest about their dishonesty and who they really are, to the sleek society world of the city where no one is as they seem and everyone is out only for themselves. The film is adapted from the 1946 novel by William Lindsay Gresham that was previously made into the 1947 film directed by Edmund Goulding and starring Tyrone Power. He eventually crosses paths with the fearsome tycoon Ezra Grindle (Richard Jenkins), and then Stanton’s plans begin to falter, leading to a desperate end. Lilith Ritter (Cate Blanchett), he begins to fleece powerful local swells for money. With the aid of a shady psychoanalyst, Dr. He takes off with another carnival performer, Molly (Rooney Mara), and starts his own act, finding success at big city nightclubs. He makes himself a fast study of the work of the mentalist Zeena (Toni Collette) and her husband, Pete Krumbein (David Strathairn), picking up the tricks of their trade. In the film, Bradley Cooper plays Stanton Carlisle, a drifter on the run from a mysterious past who falls in with a traveling carnival. And to abandon the whimsy and trying to preserve the beauty was a new exercise for me.” And that is new because I have always depended on the - I sound like Blanche DuBois - I’ve always depended on the whimsy of strange monsters. The images were beautiful, but not whimsical. “I wanted to capture images that didn’t have whimsy. “Visually there are common threads with other movies and the style is common with other movies, but at the same time, to me it became about being moved by images that are beautiful, but also feel brutal,” said Del Toro, mentioning American painters such as Thomas Hart Benton, Grant Wood, Andrew Wyeth and Edward Hopper.

Del Toro acknowledged that this more serious frame of mind set the stage for “Nightmare Alley.”